Each singer and speaker using this revolutionary new tool hears very clearly the real and total sound of its own voice which he or she doesn't hear now just listening to the reflections of singing in a given area. With HearFones, you hear what you really sound like --the same voice the audience hears! In addition, while using HearFones, you hear yourself much more predominantly over the rest of the ensemble, thus helping you to improve the quality of your output. You can practice your part right there while singing with the whole group! With simple instructions and a sincere effort to sound better, singers and speakers can soon improve their performance and be much better better heard and understood.

The inventors of HearFones ...teachers and singers themselves... recognized that good acoustic design could bring the benefits of this neat concept to every singer. Imagine our surprise when testing early prototypes on singers, we found that time after time every singer sang better just by putting on HearFones! When we saw this happening, we knew we were onto something really big.

In addition, in the hands of a director or voice trainer, the singer or speaker can be shown the appropriate sound to produce, then, with HearFones, the person duplicates the director's sound, often as necessary, to reproduce the instructor's example. After producing good sounds using the HearFones, the singer knows how it feels to sound this way and, in time, will be able to duplicate the sound without the "training wheels". It's that simple. The director can use some of the better "students" to teach others  how to sound good and employ games and exercises to promote the use of better singing techniques. No step in the use of HearFones violates any recognized good practice. The beauty of it all is that it gets right to the heart of the matter...good sound...right off! This is quality control in vocalization and a great way to build confident singing.

It should be emphasized that one of the most important contributions of this tool is that HearFones focuses the sound producer's attention on his own voice, often for the first time.

Ensembles may use HearFones to produce better quality sound in recording sessions. Soloists will find this tool most useful in their own vocal improvement in any singing style. Speakers use HearFones to monitor their own diction, modulation and delivery. HearFones also find many uses in the Speech and Hearing Therapy fields.

Not since Guido d'Arezzo's music notation in 1030 has there been such a help for the singer.